Amar
Main text
GC - Gutmann's Copy
Amar - Autograph fragment of March
FE - French edition
FE1 - First French edition
FE2 - Second impression of FE
FE3 - Third impression of FE
FE4 - Fourth impression of FE
FESch - Scherbatoff Copy
FES - Stirling copy
FED - Dubois copy
FE5 - Second French edition
GE - German edition
GE1 - First German edition
GE2mar - Second German edition of March
GE2 - Corrected impression of GE
EE - English edition
EE1 - First English edition
EE2 - Revised impression of EE1
compare
  b. 20

The correct notation of the trill in the 1st half of this bar and all its repetitions – bars 28, 74 and 82 – appeared in the sources (not including pupil's copies) only several years after the publication of the Sonata, in EE2 and GE2. The mistake was committed by Chopin, who in [A] (→GCGE1GE2mar,→FE1FE2EE2) wrote the trill minim as a G (with a cautionary ). The error was noticed in the proofreading of FE3 (→FE4,FE5), however, at the time of performing the correction, another mistake was committed, by moving the note mechanically together with the preceding it flat, which resulted in an F. The correct text was marked in all pupil's copies.
A similar mistake, consisting in writing the top second of the main note of the trill instead of the main one, from which the trill starts in this context, is to be find also in, e.g., the Bolero in A minor, Op. 19, bar 187.

In EE there is also no wavy line after the trill.

Compare the passage in the sources »

category imprint: Interpretations within context; Differences between sources; Corrections & alterations

issues: Annotations in teaching copies, EE revisions, Errors in FE, Annotations in FED, Errors in EE, Errors resulting from corrections, Errors in GE, GE revisions, EE inaccuracies, Errors of A, Annotations in FES, Authentic corrections of FE, Errors of GC

notation: Pitch

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