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Source: 
p. 2, b. 15-28
p. 1, b. 1-14
p. 2, b. 15-28
p. 3, b. 29-48
p. 4, b. 49-70
p. 5, b. 71-88
p. 6, b. 89-101
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GE - German edition
GE1 - First German Edition
GE2 - Later impression of GE1
FE - French edition
FE1 - First French Edition
FED - Dubois's copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
EE - English edition
EE1 - First English Edition
EE2 - Second impression of EE1
EE3 - Later impression of EE2
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GE - German edition
GE1 - First German Edition
GE2 - Later impression of GE1
FE - French edition
FE1 - First French Edition
FED - Dubois's copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
EE - English edition
EE1 - First English Edition
EE2 - Second impression of EE1
EE3 - Later impression of EE2
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  b. 24

GE (→FE)

in EE

The crescendo hairpin appears only in EE, modelled probably on the sign in analogous bar 91 although placed differently, i.e. below instead of above the upper staff. However, in the editors' opinion the analogy here fails to include dynamics, as Chopin probably wanted the dynamic line of the phrase in bars 90-93 to differ from that in bars 23-26 – in the Nocturne ending more emphasis is placed on the last bar, provided with additional accents and the indication con duolo.

See b. 19

Compare the passage in the sources »

category imprint: Differences between sources

issues: EE revisions

notation: Articulation, Accents, Hairpins

Missing markers on sources: GE1, GE2