Op. 2, Variations in B♭ major
Op. 10, 12 Etudes
Op. 11, Concerto in E minor
Op. 21, Concerto in F minor
Op. 22, Polonaise in E♭ major
Op. 24, 4 Mazurkas
Op. 25, 12 Etudes
Op. 26, 2 Polonaises
Op. 27, 2 Nocturnes
Op. 28, 24 Preludes
Op. 30, 4 Mazurkas
Op. 35, Sonata in B♭ minor
Op. 50, 3 Mazurkas
Op. 63, 3 Mazurkas
Op. 64, 3 Waltzes
Op. 27 No 1, Nocturne in C# minor
In bar 1 ff. the L.H. legato should be most probably understood as "harmonic legato" (fingers sustain components of harmonies). This will enable the fundamental note to be held at the change of pedal, e.g. in bars 3-4:
A similar execution is recommended in all places where C
, the basis of harmony, occurs before the change of pedal.
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category imprint: Source & stylistic information
notation: Verbal indications
