Page: 
Source: 
p. 1, b. 1-18
p. 1, b. 1-18
p. 2, b. 19-38
p. 3, b. 39-56
p. 4, b. 57-75
FE1 - First French edition
Main text
GC - Gutmann's Copy
Afin - Autograph fragment of Finale
FE - French edition
FE1 - First French edition
FE2 - Second impression of FE
FE3 - Third impression of FE
FE4 - Fourth impression of FE
FESch - Scherbatoff Copy
FES - Stirling copy
FED - Dubois copy
FE5 - Second French edition
GE - German edition
GE1 - First German edition
GE2 - Corrected impression of GE
EE - English edition
EE1 - First English edition
EE2 - Revised impression of EE
Select notes: 
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Graphic ambiguousness
Interpretations within context
Differences between sources
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Corrections & alterations
Source & stylistic information
Notation
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Pitch
Rhythm
Slurs
Articulation, Accents, Hairpins
Verbal indications
Pedalling
Fingering
Ornaments
Shorthand & other
Differences
No differences
GC - Gutmann's Copy
Afin - Autograph fragment of Finale
FE - French edition
FE1 - First French edition
FE2 - Second impression of FE
FE3 - Third impression of FE
FE4 - Fourth impression of FE
FESch - Scherbatoff Copy
FES - Stirling copy
FED - Dubois copy
FE5 - Second French edition
GE - German edition
GE1 - First German edition
GE2 - Corrected impression of GE
EE - English edition
EE1 - First English edition
EE2 - Revised impression of EE
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Important
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copy link PDF FE1 - First French edition


  b. 13-14

 from 2nd triplet in GC

No sign in FE (→EE1)

 from 1st triplet in GE & EE2

The  sign was added in GC probably by Chopin. GE extended it, so it filled both bars, in this version it was added also in EE2.

Compare the passage in the sources»

category imprint: Differences between sources

issues: EE revisions, Inaccuracies in GE, Authentic corrections in GC

notation: Articulation, Accents, Hairpins

Missing markers on sources: FESch, FES, FED, Afin