Issues : GE revisions
b. 2
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composition: Op. 35, Sonata in B♭ minor, Mvt IV
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GC has a G as the last quaver in the L.H. GE corrected this mistake, probably on the basis of comparison with the 1st half of the bar. category imprint: Interpretations within context; Differences between sources issues: GE revisions , Errors of GC |
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b. 8
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composition: Op. 35, Sonata in B♭ minor, Mvt IV
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In GC the 10th quaver in the L.H. is a g. The mistake was corrected in GE, probably on the basis of analogy to the previous, similarly constructed triplets in this bar and in bar 6. category imprint: Interpretations within context; Differences between sources issues: GE revisions , Errors of GC |
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b. 9
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composition: Op. 35, Sonata in B♭ minor, Mvt IV
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In [A] (→GC,FE), there are no accidentals before the 7th quaver. The logic of the structure of the figuration in bars 9-12 proves that the literal interpretation as c1-c2 is correct. The undoubtedly justified cautionary naturals were added in EE, which, probably, is, however, a revision. The version of GE with c1-c2, contrary to the remaining sources, indicates a routine approach of the reviser to the Breitkopf & Härtel edition. He introduced the same addition also in bar 46+1, being a repetition of bar 9. category imprint: Differences between sources issues: GE revisions |
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b. 24
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composition: Op. 35, Sonata in B♭ minor, Mvt IV
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GC has a G as the 10th quaver in the L.H. The mistake was corrected in GE, probably on the basis of analogy to the identical or similarly constructed figures in bars 23 and 25-30. category imprint: Interpretations within context; Differences between sources issues: GE revisions , Errors of GC |
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b. 32
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composition: Op. 35, Sonata in B♭ minor, Mvt IV
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The L.H. in GC has a G as the 1st and 7th quavers. In GE the mistakes were corrected, probably on the basis of analogy to similar figures in bars 31 and 33-34. category imprint: Interpretations within context; Differences between sources issues: GE revisions , Errors of GC |