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Issues : Omissions to cancel alteration
b. 22
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composition: Op. 35, Sonata in B♭ minor, Mvt IV
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After the modulating progressions of the previous bars, bars 21-22 lead – via the ninth dominant chord (A category imprint: Interpretations within context; Editorial revisions issues: Omissions to cancel alteration |
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b. 47
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composition: Op. 35, Sonata in B♭ minor, Mvt IV
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The first quaver of the last triplet, c category imprint: Interpretations within context; Editorial revisions issues: Omissions to cancel alteration , Errors of A |
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b. 50
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composition: Op. 35, Sonata in B♭ minor, Mvt IV
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A number of editors of later collective editions considers the absence of the flats restoring b category imprint: Interpretations within context; Editorial revisions issues: Omissions to cancel alteration , Errors of A |
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b. 51
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composition: Op. 35, Sonata in B♭ minor, Mvt IV
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In FE there are no flats restoring g category imprint: Interpretations within context; Differences between sources issues: Annotations in teaching copies , EE revisions , Errors in FE , Annotations in FED , Omissions to cancel alteration , Authentic corrections in GC |
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b. 66
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composition: Op. 35, Sonata in B♭ minor, Mvt IV
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Same as in bar 63, the absence of accidentals before the 8th quaver creates a doubt whether Chopin had in mind d-d1 or d category imprint: Interpretations within context; Editorial revisions issues: Errors in FE , Errors in EE , Omissions to cancel alteration , Errors in GE , Errors of GC |