|
b-b1 in the sources (literal reading) |
|
|
b |
|
|
Our variant suggestion |
A number of editors of later collective editions considers the absence of the flats restoring b
(1) at the end of the bar to be an oversight of Chopin, which, of course, cannot be excluded. An argument for an oversight could be a vast majority of minor seconds in the motivic structure of the Finale, particularly in similar figures (bars 5, 7, 16, 24-26, 28-30, 35-38, 43, 45, 50, 51-56, 60), which is, however, difficult to be considered to be conclusive. In the main text we suggest a variant solution.
Compare the passage in the sources »
category imprint: Interpretations within context; Editorial revisions
issues: Omissions to cancel alteration, Errors of A
notation: Pitch