GC
Main text
GC - Gutmann's Copy
Afin - Autograph fragment of Finale
FE - French edition
FE1 - First French edition
FE2 - Second impression of FE
FE3 - Third impression of FE
FE4 - Fourth impression of FE
FESch - Scherbatoff Copy
FES - Stirling copy
FED - Dubois copy
FE5 - Second French edition
GE - German edition
GE1 - First German edition
GE2 - Corrected impression of GE
EE - English edition
EE1 - First English edition
EE2 - Revised impression of EE
compare
  b. 47

c1-c2 in the sources (literal reading)

c1-c2 (possible interpretation)

Our variant suggestion

The first quaver of the last triplet, c1(2), may be perceived as strange, if we consider that the a-f sixth, ending the 1st half of the bar, determines the return of the B minor key, in which it is c1(2) that is a diatonic note. However, it is not obvious, moreover, the B minor key does not exclude the use of a lowered second degree. The validity of the assumption that Chopin forgot to cancel the flats from the 1st half of the bar becomes even more questionable if we take into consideration the interval structure of the 2nd and 4th triplets in bar 47 and the 2nd, 3rd and 4th triplets in bar 48 – at the beginning of each of them (except for the discussed one) there is a minor second. In this case, in the main text we leave the version of the sources, suggesting possible conjectures as alternative versions. 

Compare the passage in the sources »

See b. 22

category imprint: Interpretations within context; Editorial revisions

issues: Omissions to cancel alteration, Errors of A

notation: Pitch

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