![](/build/images/logo_left-en.png)
![](/build/images/pl-button.5cab5de0.png)
![](/build/images/pomoc-button.d3d09842.png)
![](/build/images/pomoc-button-en.5098433b.png)
Issues : Chopin's hesitations
b. 8-24
|
composition: Op. 64 No 2, Waltz in C♯ minor
..
In bar 8 the version of the R.H. adopted by us as the text of As (written in the main course of the text's line of As) is partially hypothetical, since the 1st quaver is blurred, whereas in the second the bottom note is unclear. One can consider the version of AI (excluding the rhythm) to be an alternative interpretation of this notation. The second of the given versions of As is written over the R.H. and under the L.H. of the first, probably with an intention to choose one of them later. In the version prepared for print, Chopin opted for an intermediate version in the R.H., in which d1 appears only in the 1st quaver, while in the L.H. he returned to the original version. The absence of In bar 24 all sources feature the same versions as in bar 8. category imprint: Differences between sources; Corrections & alterations issues: Chopin's hesitations |
||||||||||||||
b. 18
|
composition: Op. 64 No 2, Waltz in C♯ minor
..
Same as in bar 2, in the previous manuscripts there is no category imprint: Differences between sources; Corrections & alterations issues: Chopin's hesitations , Omission of current key accidentals |
||||||||||||||
b. 27-28
|
composition: Op. 64 No 2, Waltz in C♯ minor
..
The sources illustrate here Chopin's hesitation – c category imprint: Differences between sources; Corrections & alterations issues: Annotations in teaching copies , Annotations in FED , Corrections in A , Chopin's hesitations |
||||||||||||||
b. 40-56
|
composition: Op. 64 No 2, Waltz in C♯ minor
..
On the last quaver of bars 40 and 56, both f The version of EEC is certainly erroneous. category imprint: Differences between sources; Editorial revisions; Corrections & alterations issues: Accidentals in different octaves , Chopin's hesitations , Main-line changes |
||||||||||||||
b. 65-96
|
composition: Op. 64 No 2, Waltz in C♯ minor
..
In A (→GE), the entire section is written in a four-flat key signature. In the proofreading of FE (→EE), Chopin changed the notation to the one compliant with D Since the difference does not have any impact on the sound of music, and the notation with five flats, more convenient for the reader, was eventually introduced by Chopin, we adopt it as the only one and we do not record differences in notation resulting from the distinct number of flats in the key signature. The original notation of A and GE is conveyed by their versions "transcription". category imprint: Differences between sources; Source & stylistic information issues: Chopin's hesitations , Errors of A , Authentic corrections of FE , Last key signature sign |