mUltimate Chopin

Op. 64 No 2, Waltz in C♯ minor

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Issues : Corrections in A

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b. 1-2

composition: Op. 64 No 2, Waltz in C♯ minor

c & d in As & AI

C & D in A & FE (→GE,EE)
..

In As and AI the bass notes in bars 1-2 are written an octave higher than in the version prepared for print (in A one can see traces of corrections from c to C in bar 1). Lowering bass is one of frequently used interventions by Chopin at the time of elaborating original ideas – cf. bars 14, 32, 39 and 55, 65 and 81, as well as, e.g., the Waltz in D major, No. 1, bars 50 and 77.

category imprint: Differences between sources; Corrections & alterations

issues: Corrections in A , Accompaniment changes , Bass register changes

b. 27-28

composition: Op. 64 No 2, Waltz in C♯ minor

c2 repeated in As & A (→FE→EE,GE1no2,GE1op→GE2op→GE3op)

c2 tied in AI, FED & GE2no2
..

The sources illustrate here Chopin's hesitation – c2 is repeated in As and A (→FE→EE,GE; except for GE2no2), yet it is sustained in AI and FED. In the main text, we give the version of the base source, i.e. A, particularly considering the fact that in the autograph Chopin most probably deleted the tie sustaining this note. Cf. also bars 29-30.

category imprint: Differences between sources; Corrections & alterations

issues: Annotations in teaching copies , Annotations in FED , Corrections in A , Chopin's hesitations