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Issues : Inaccuracies in FE
b. 97-98
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composition: Op. 64 No 2, Waltz in C♯ minor
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In As there are no slurs in these bars, whereas in AI a slur – unclear – is written only in bar 98, being a repetition of bar 34. In the main text, we give the slurs of A, since their authenticity – despite quite a careless notation – seems to be unquestionable. The slurs of FE (→GE) may be a result of Chopin's proofreading, yet, due to the lack of visible traces of performing changes in print, it is not certain. How it occurred that all EE include, accordingly, a version different from the version of FE, what is more, identical with the text of A, remains unclear. category imprint: Graphic ambiguousness; Interpretations within context; Differences between sources issues: Inaccuracies in FE , EE inaccuracies |
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b. 98-108
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composition: Op. 64 No 2, Waltz in C♯ minor
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Similarly as in bars 33-44 (in the autographs the discussed bars are their literal repetition), we reproduce the range of the category imprint: Differences between sources issues: Inaccuracies in FE , Scope of dynamic hairpins |
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b. 103
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composition: Op. 64 No 2, Waltz in C♯ minor
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category imprint: Differences between sources issues: Inaccuracies in GE , Inaccuracies in FE , EE inaccuracies |
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b. 129-160
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composition: Op. 64 No 2, Waltz in C♯ minor
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Placement of the category imprint: Graphic ambiguousness; Differences between sources issues: Inaccuracies in GE , Inaccuracies in FE , EE inaccuracies |
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b. 129-130
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composition: Op. 64 No 2, Waltz in C♯ minor
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Shortening the category imprint: Differences between sources issues: Inaccuracies in FE , Errors in EE |