Op. 2, Variations in B♭ major
Op. 10, 12 Etudes
Op. 11, Concerto in E minor
Op. 21, Concerto in F minor
Op. 22, Polonaise in E♭ major
Op. 24, 4 Mazurkas
Op. 25, 12 Etudes
Op. 26, 2 Polonaises
Op. 27, 2 Nocturnes
Op. 28, 24 Preludes
Op. 30, 4 Mazurkas
Op. 35, Sonata in B♭ minor
Op. 50, 3 Mazurkas
Op. 63, 3 Mazurkas
Op. 64, 3 Waltzes
Op. 64 No 2, Waltz in C♯ minor
Similarly as in bars 33-44 (in the autographs the discussed bars are their literal repetition), we reproduce the range of the hairpin after A. All editions, in spite of minor, insignificant differences, include signs of the same, six-quaver length.
Compare the passage in the sources »
category imprint: Differences between sources
issues: Inaccuracies in FE, Scope of dynamic hairpins
notation: Articulation, Accents, Hairpins