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Issues : EE revisions
b. 92-93
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composition: Op. 64 No 2, Waltz in C♯ minor
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The visible evolution of the accompanying part generally consisted in an each time earlier introduction of the diminished seventh chord – in As on the last beat of bar 93, in AI – a crotchet earlier, in the version intended for print – already in bar 92. In both earlier autographs, the bars are an exact repetition of bars 76-77 (also in the melodic line); in turn, in the final version, Chopin clearly differentiated between the mood of the phrase's climax – for the first time, the diminished chord naturally introduces a D category imprint: Interpretations within context; Differences between sources; Corrections & alterations issues: EE revisions , Errors in FE , GE revisions , Accompaniment changes |
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b. 106
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composition: Op. 64 No 2, Waltz in C♯ minor category imprint: Differences between sources issues: EE revisions , Errors in FE , GE revisions |
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b. 131
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composition: Op. 64 No 2, Waltz in C♯ minor
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In the main text we unify the range of the category imprint: Differences between sources issues: EE revisions , Inaccuracies in FE , GE revisions |
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b. 138-139
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composition: Op. 64 No 2, Waltz in C♯ minor
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EEW1 and GE1no2 overlooked the category imprint: Differences between sources issues: EE revisions , Errors in EE , Errors in GE , GE revisions |
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b. 140-141
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composition: Op. 64 No 2, Waltz in C♯ minor
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The interpretation of the range of category imprint: Differences between sources issues: EE revisions , GE revisions , Authentic corrections of FE |