![](/build/images/logo_left-en.png)
![](/build/images/pl-button.5cab5de0.png)
![](/build/images/pomoc-button.d3d09842.png)
![](/build/images/pomoc-button-en.5098433b.png)
Issues : Authentic corrections of FE
b. 133-134
|
composition: Op. 64 No 2, Waltz in C♯ minor
..
The lack of the category imprint: Interpretations within context; Differences between sources issues: Scope of dynamic hairpins , GE revisions , EE inaccuracies , Authentic corrections of FE |
|||||||
b. 136-152
|
composition: Op. 64 No 2, Waltz in C♯ minor
..
A cautionary category imprint: Differences between sources issues: Authentic corrections of FE |
|||||||
b. 136-137
|
composition: Op. 64 No 2, Waltz in C♯ minor
..
In the main text, we give the most certain slurs of A, as far as the sources are concerned. Omission of both slurs in GE1op and GE1no2 may mean that they were originally absent also in FE (cf. bars 138-139), in which, however, a slur in bar 137 was added in the last proofreading. The addition – perhaps coming from Chopin – certainly does not mean that bar 136 is to be devoid of a slur, in turn, it confirms the use of a new slur for bar 137 (cf. bars 8-9). The slurs added in later GE – different for each of two versions of this edition – are certainly revisions of the editors, modelled on analogous bars 8-9 (GE2op) or 152-153 (GE2no2). category imprint: Interpretations within context; Differences between sources issues: GE revisions , Authentic corrections of FE |
|||||||
b. 138-139
|
composition: Op. 64 No 2, Waltz in C♯ minor
..
The absence of the slur in both versions of GE1 means that most probably it was originally absent in FE too, in which, however, it was added – probably by Chopin – in the last phase of proofreading. The slurs added in later GE, embracing two full bars, are a result of a revision, same as in bars 10-11. In turn, an earlier beginning of the slur in EEC may be simply an inaccuracy. category imprint: Differences between sources; Corrections & alterations issues: GE revisions , EE inaccuracies , Authentic corrections of FE |
|||||||
b. 140-141
|
composition: Op. 64 No 2, Waltz in C♯ minor
..
The interpretation of the range of category imprint: Differences between sources issues: EE revisions , GE revisions , Authentic corrections of FE |