mUltimate Chopin

Op. 64 No 2, Waltz in C♯ minor

Text Compare Notes Sources Description
Select: 
Category
All
Graphic ambiguousness
Interpretations within context
Differences between sources
Editorial revisions
Corrections & alterations
Source & stylistic information
Notation
All
Pitch
Rhythm
Slurs
Articulation, Accents, Hairpins
Verbal indications
Pedalling
Fingering
Ornaments
Shorthand & other
Importance
All
Important
Main
Undo Clear

b. 104-120

composition: Op. 64 No 2, Waltz in C♯ minor

Chords in As & AI

Sixths in A (→FE→GE,EE)
..

category imprint: Differences between sources

b. 106

composition: Op. 64 No 2, Waltz in C♯ minor

g-c1-e1 in As, A (→FE→EE) &i GE2op (→GE3op)

g-e1 in AI, GE1op & GE1no2 (→GE2no2)
..

Same as in bar 42, the triad version of the majority of the editions, reproducing – perhaps inaccurately – the difficult to decipher notation of A, is, according to us, most probably erroneous.

category imprint: Interpretations within context; Differences between sources

issues: Errors in FE , Errors in GE , GE revisions

b. 106

composition: Op. 64 No 2, Waltz in C♯ minor

No markings in FE (→GE1op,GE1no2,EEC)

Pedalling in A, EEW1 (→EEW2), GE2op (→GE3op) & GE2no2
..

The lack of pedalling in FE (→GE1op,GE1no2,EEC) is certainly a mistake.

category imprint: Differences between sources

issues: EE revisions , Errors in FE , GE revisions

b. 108-124

composition: Op. 64 No 2, Waltz in C♯ minor

a-c1 in As

e-c1 & rest in AI

e-c1 in A (→FE→GE,EE)
..

category imprint: Differences between sources

b. 109-125

composition: Op. 64 No 2, Waltz in C♯ minor

a-d1 on 2nd beat in As, contextual interpretation

a-d1 on 3rd beat in A & GE

a-d1-a1 in FE (→EE)
..

In bars 109 and 125, in the main text we give the latest Chopin version of the part of the L.H., introduced in the last proofreading of FE (→EE).

category imprint: Differences between sources; Corrections & alterations

issues: GE revisions , Authentic corrections of FE