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Issues : Chopin's hesitations
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b. 67
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composition: Op. 64 No 2, Waltz in C♯ minor
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The version of AI is naturally earlier than the published version; however, the notation of As, in which both versions most probably overlap, suggests that it is the version of A that was created first. It results from the space between the notes – e category imprint: Differences between sources; Corrections & alterations issues: Chopin's hesitations , Deletions in A , Main-line changes |
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b. 75-76
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composition: Op. 64 No 2, Waltz in C♯ minor
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Three versions of the accompaniment prove that Chopin would be looking for the best harmonic and rhythmic formula for these bars. The process lasted until the last moment, since the version adopted in the main text, with a sustained chord, was introduced by the composer only in the final stage of proofreading of FE (→EE). He also hesitated – in A one can see deletions proving several corrections whose final result was a version identical with the original one, written in As, whereas AI has a different text too. category imprint: Differences between sources; Corrections & alterations |
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b. 88
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composition: Op. 64 No 2, Waltz in C♯ minor
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In AI, the bar is identical to bar 72, although As already includes the final version (without the little slur before the group of grace notes). It can indicate Chopin's hesitation, yet it cannot be excluded that resignation from differentiating between the version of both bars is an element of striving for simplicity due to the piano skills of Baroness de Rothschild, who was the addressee of the manuscript. Cf. bar 84. category imprint: Differences between sources; Corrections & alterations issues: Chopin's hesitations |
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b. 90
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composition: Op. 64 No 2, Waltz in C♯ minor
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The variant version of AI may prove Chopin's hesitation, as long as the dotted rhythm in As was not added later than AI was developed. category imprint: Differences between sources; Corrections & alterations issues: Chopin's hesitations , Dotted or even rhythm |
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b. 91
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composition: Op. 64 No 2, Waltz in C♯ minor
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In all autographs, the bar is identical to analogous bar 75. A minor difference in the sound of the chord on the 2nd beat of the bar may prove Chopin's hesitation (cf. the note on bar 83). category imprint: Differences between sources; Corrections & alterations issues: Chopin's hesitations |
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