Op. 2, Variations in B♭ major
Op. 10, 12 Etudes
Op. 11, Concerto in E minor
Op. 21, Concerto in F minor
Op. 22, Polonaise in E♭ major
Op. 24, 4 Mazurkas
Op. 25, 12 Etudes
Op. 26, 2 Polonaises
Op. 27, 2 Nocturnes
Op. 28, 24 Preludes
Op. 30, 4 Mazurkas
Op. 35, Sonata in B♭ minor
Op. 50, 3 Mazurkas
Op. 63, 3 Mazurkas
Op. 64, 3 Waltzes
(Op. 4), Sonata in C minor
Op. 64 No 2, Waltz in C♯ minor
In AI, the bar is identical to bar 72, although As already includes the final version (without the little slur before the group of grace notes). It can indicate Chopin's hesitation, yet it cannot be excluded that resignation from differentiating between the version of both bars is an element of striving for simplicity due to the piano skills of Baroness de Rothschild, who was the addressee of the manuscript. Cf. bar 84.
Compare the passage in the sources »
category imprint: Differences between sources; Corrections & alterations
issues: Chopin's hesitations
notation: Pitch
