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Issues : Inaccuracies in FE
b. 16-17
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composition: Op. 64 No 2, Waltz in C♯ minor
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An additional slur at the transition between bars 16 and 17 embraces in A the last two quavers in bar 16. In FE (→EE,GE1no2) it was reproduced in a slightly inaccurate manner (the slur begins already after the 5th quaver and it is placed too low), which probably resulted in an erroneous beginning of the slur from the 6th quaver in the remaining GE. The range of the slur in analogous bars 144-145, based on the same notation of A, does not raise any doubts in FE. category imprint: Graphic ambiguousness; Differences between sources issues: Inaccuracies in FE |
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b. 19
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composition: Op. 64 No 2, Waltz in C♯ minor
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On the 2nd crotchet in the L.H. A has – in so far as it may be assumed on the basis of the photography available to us – a g category imprint: Differences between sources issues: Inaccuracies in FE |
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b. 19-24
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composition: Op. 64 No 2, Waltz in C♯ minor
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The absence of the category imprint: Interpretations within context; Differences between sources; Editorial revisions issues: Inaccuracies in FE , Scope of dynamic hairpins |
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b. 20
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composition: Op. 64 No 2, Waltz in C♯ minor
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No pedalling indications in this bar is most probably a result of revision of GE2op (→GE3op), aiming at unifying bar 4 and 20. As far as the placement of the category imprint: Differences between sources issues: Inaccuracies in GE , Inaccuracies in FE , GE revisions |
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b. 21-22
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composition: Op. 64 No 2, Waltz in C♯ minor
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The category imprint: Differences between sources issues: Inaccuracies in FE , Scope of dynamic hairpins , GE revisions , EE inaccuracies |