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Issues : GE revisions
b. 138-139
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composition: Op. 64 No 2, Waltz in C♯ minor
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The absence of the slur in both versions of GE1 means that most probably it was originally absent in FE too, in which, however, it was added – probably by Chopin – in the last phase of proofreading. The slurs added in later GE, embracing two full bars, are a result of a revision, same as in bars 10-11. In turn, an earlier beginning of the slur in EEC may be simply an inaccuracy. category imprint: Differences between sources; Corrections & alterations issues: GE revisions , EE inaccuracies , Authentic corrections of FE |
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b. 138-139
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composition: Op. 64 No 2, Waltz in C♯ minor
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EEW1 and GE1no2 overlooked the category imprint: Differences between sources issues: EE revisions , Errors in EE , Errors in GE , GE revisions |
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b. 140-141
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composition: Op. 64 No 2, Waltz in C♯ minor
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The interpretation of the range of category imprint: Differences between sources issues: EE revisions , GE revisions , Authentic corrections of FE |
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b. 144-145
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composition: Op. 64 No 2, Waltz in C♯ minor
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Shifting the beginning of the slur to the last quaver in bar 144 is a revision of later GE, most probably in analogy to bars 16-17, in which the editions misinterpreted the notation of FE. category imprint: Differences between sources issues: GE revisions |
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b. 148
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composition: Op. 64 No 2, Waltz in C♯ minor
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The lack of pedalling in GE2op (→GE3op) is probably a result of a revision unifying bars 132 and 148. category imprint: Differences between sources issues: GE revisions |