Op. 2, Variations in B♭ major
Op. 10, 12 Etudes
Op. 11, Concerto in E minor
Op. 21, Concerto in F minor
Op. 22, Polonaise in E♭ major
Op. 24, 4 Mazurkas
Op. 25, 12 Etudes
Op. 26, 2 Polonaises
Op. 27, 2 Nocturnes
Op. 28, 24 Preludes
Op. 30, 4 Mazurkas
Op. 35, Sonata in B♭ minor
Op. 50, 3 Mazurkas
Op. 63, 3 Mazurkas
Op. 64, 3 Waltzes
Op. 64 No 2, Waltz in C♯ minor
The bars are not written out in any of the manuscripts. In As and AI the notation ends in bar 97, while in As the return to bar 34 is implicit, whereas in AI it is marked as Dal Segno al fine. In A, the next bars are marked with subsequent numerals from 2 to 31, which corresponds to bars 34-63 and bar 64 is written out entirely, probably to facilitate orientation in the abbreviated notation – the continuation of the Waltz is also written in an abbreviated manner.
Compare the passage in the sources »
category imprint: Differences between sources; Source & stylistic information
issues: Abbreviated notation of A
notation: Shorthand & other
