Op. 2, Variations in B♭ major
Op. 10, 12 Etudes
Op. 11, Concerto in E minor
Op. 21, Concerto in F minor
Op. 22, Polonaise in E♭ major
Op. 24, 4 Mazurkas
Op. 25, 12 Etudes
Op. 26, 2 Polonaises
Op. 27, 2 Nocturnes
Op. 28, 24 Preludes
Op. 30, 4 Mazurkas
Op. 35, Sonata in B♭ minor
Op. 50, 3 Mazurkas
Op. 63, 3 Mazurkas
Op. 64, 3 Waltzes
(Op. 4), Sonata in C minor
Op. 64 No 2, Waltz in C♯ minor
The 
sign in this bar in A is shorter than in the previous ones, which may be perhaps related simply to a different graphic layout (the quaver beam pointed upwards). In spite of that, in FE (→GE,EE) it was reproduced as a whole-bar sign, which almost certainly is a result of the engraver's distraction.
Compare the passage in the sources »
category imprint: Differences between sources
issues: Inaccuracies in FE, Scope of dynamic hairpins
notation: Articulation, Accents, Hairpins
