Op. 2, Variations in B♭ major
Op. 10, 12 Etudes
Op. 11, Concerto in E minor
Op. 21, Concerto in F minor
Op. 22, Polonaise in E♭ major
Op. 24, 4 Mazurkas
Op. 25, 12 Etudes
Op. 26, 2 Polonaises
Op. 27, 2 Nocturnes
Op. 28, 24 Preludes
Op. 30, 4 Mazurkas
Op. 35, Sonata in B♭ minor
Op. 50, 3 Mazurkas
Op. 63, 3 Mazurkas
Op. 64, 3 Waltzes
Op. 64 No 2, Waltz in C♯ minor
The deletion in As in the R.H. embraces the entire 3rd beat of bar 9, so that it is uncertain what Chopin wanted to write there. However, it seems to be highly unlikely that it were the g
1 crotchet, as in the remaining sources – it is indicated by the preserved tie sustaining g1 and the version of analogous bar 11. No dot sustaining b is certainly an inaccuracy, perhaps a remaining element of a previous version with a strike on the 3rd beat of the bar. The same applies to bar 25, which is not written out in As.
Compare the passage in the sources »
category imprint: Corrections & alterations
notation: Pitch
