Op. 2, Variations in B♭ major
Op. 10, 12 Etudes
Op. 11, Concerto in E minor
Op. 21, Concerto in F minor
Op. 22, Polonaise in E♭ major
Op. 24, 4 Mazurkas
Op. 25, 12 Etudes
Op. 26, 2 Polonaises
Op. 27, 2 Nocturnes
Op. 28, 24 Preludes
Op. 30, 4 Mazurkas
Op. 35, Sonata in B♭ minor
Op. 50, 3 Mazurkas
Op. 63, 3 Mazurkas
Op. 64, 3 Waltzes
(Op. 4), Sonata in C minor
Op. 64 No 2, Waltz in C♯ minor
The discrepancy in the placement of the 
sign between A and FE is, according to us, a result of a mistake at combining the written out bars with their numerated repetitions – the shorter pedal of FE is compatible with the authentic pedalling in bars 189-190. In the main text, we stick to the version of A. The changes in later GE were introduced most probably by analogy to bars 45-46 and 109-110 (see also bars 189-190).
Compare the passage in the sources »
category imprint: Differences between sources
issues: Errors in FE, GE revisions
notation: Pedalling
