Op. 2, Variations in B♭ major
Op. 10, 12 Etudes
Op. 11, Concerto in E minor
Op. 21, Concerto in F minor
Op. 22, Polonaise in E♭ major
Op. 24, 4 Mazurkas
Op. 25, 12 Etudes
Op. 26, 2 Polonaises
Op. 27, 2 Nocturnes
Op. 28, 24 Preludes
Op. 30, 4 Mazurkas
Op. 35, Sonata in B♭ minor
Op. 50, 3 Mazurkas
Op. 63, 3 Mazurkas
Op. 64, 3 Waltzes
Op. 64 No 2, Waltz in C♯ minor
The little tie combining the grace note with the minim is one of a few slurs written in As. in AI, the slur ends with the last quaver in bar 72, whereas the next one starts from the grace note in bar 73. The phrasing of the version intended for print corresponds to the natural divisions of phrases, marked by rests. Since the slurrings of AI and A are clearly related to the rhythmic structure of phrases, respective variants are in the next note on rhythm.
Compare the passage in the sources »
category imprint: Graphic ambiguousness; Differences between sources; Corrections & alterations
notation: Slurs