Issues : GE revisions
b. 8-16
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composition: Op. 64 No 1, Waltz in D♭ major
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We add a cautionary next to g2 in bar 8 and 16. One of them was written by Chopin himself in bar 8 in AI, while both signs were added by the revisers of GE and EEW1 (→EEW2). category imprint: Differences between sources issues: EE revisions , GE revisions , Cautionary accidentals |
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b. 12
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composition: Op. 64 No 1, Waltz in D♭ major category imprint: Differences between sources issues: Errors in GE , GE revisions |
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b. 21-23
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composition: Op. 64 No 1, Waltz in D♭ major
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Chopin did not pay special attention to cautionary flats before the e1 and g1 notes in bars 21 and 23. The first was written only in AIII, it was also added in GE2op (→#GE3op) and EEW1 (→EEW2). The second is present in the majority of the sources – it was overlooked only in AII and GE2Db (→GE3Db→GE4Db). category imprint: Differences between sources; Corrections & alterations issues: EE revisions , Chopin's hesitations , Errors in GE , GE revisions , Cautionary accidentals |
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b. 29-30
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composition: Op. 64 No 1, Waltz in D♭ major
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As it was described in bars 21-24, in the previous autographs Chopin used here a version which in A and in the editions appeared right there. In AI and AII it was preserved in its earliest form, with triads in bar 30. In the main text we add a cautionary before e1 in bar 19, a similar action was taken in all subsequent editions. category imprint: Differences between sources; Corrections & alterations issues: EE revisions , Chopin's hesitations , GE revisions , FE revisions |
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b. 36-37
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composition: Op. 64 No 1, Waltz in D♭ major
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In GE1op – probably due to the misunderstanding of the phrase mark running from the a1 crotchet in bar 36 (the 2nd volta) – a tie sustaining this crotchet to a minim in the next bar was added. The erroneous version was repeated in all subsequent GE (also in the majority of the subsequent collective editions of Chopin's works). category imprint: Differences between sources issues: Errors in GE , GE revisions |