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Issues : Authentic corrections of FE
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b. 50
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composition: Op. 64 No 1, Waltz in D♭ major
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The naturals raising g category imprint: Interpretations within context; Differences between sources issues: GE revisions , Omission of current key accidentals , Errors of A , Authentic corrections of FE |
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b. 76
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composition: Op. 64 No 1, Waltz in D♭ major
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category imprint: Interpretations within context; Differences between sources issues: Errors in FE , GE revisions , Authentic corrections of FE |
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b. 87-92
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composition: Op. 64 No 1, Waltz in D♭ major
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Generally, the dynamic hairpin in GE is incomplete and erroneous in these bars. The traces visible in FE prove that the mistake was committed first in this edition, which, through a proof copy, went into GE. In FE (→EE) the signs were corrected and completed in the last phase of proofreading, perhaps with Chopin's participation. A possible reason of mistakes of the engraver of FE could have been the abbreviated notation of A with dynamic signs, which could have impeded their assignment to correct bars. In the main text we suggest signs of FE in bars 87-90, analogous to signs in bars 15-18 and perhaps corrected by Chopin. In turn, in bars 91-92 we give signs of A, since in FE the sign in bar 91 was probably accidentally overlooked. category imprint: Interpretations within context; Differences between sources issues: Errors in FE , Errors in GE , GE revisions , Authentic corrections of FE , Inaccuracies in A |
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b. 92
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composition: Op. 64 No 1, Waltz in D♭ major
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The version of As and GE is the original version, printed probably by mistake in FE, in which, however, it was corrected – certainly in consultation with Chopin – in the last phase of proofreading. category imprint: Interpretations within context; Differences between sources; Corrections & alterations issues: Authentic corrections of FE |
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b. 106
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composition: Op. 64 No 1, Waltz in D♭ major
category imprint: Differences between sources; Corrections & alterations issues: Authentic corrections of FE |
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