Verbal indications
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b. 53
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composition: Op. 64 No 1, Waltz in D♭ major
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The indication is only in A. According to us, it is highly unlikely that Chopin resigned from it, while proofreading FE (→GE,EE). category imprint: Differences between sources issues: Errors in FE |
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b. 71-75
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composition: Op. 64 No 1, Waltz in D♭ major
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The cresc. indication inside a several-bar long sign was added by Chopin, while preparing the Waltz for publication – it is absent in the previous autographs. The issue of the range of the hairpin – see bar 75. category imprint: Differences between sources |
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b. 76
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composition: Op. 64 No 1, Waltz in D♭ major
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in this bar is a result of a mistake of the engraver of FE, corrected only in the last phase of proofreading. The erroneous sign, repeated in GE1op and GE1Db, was removed in subsequent editions, yet only in the version with single Waltzes. The range of the hairpin – see the previous note. category imprint: Interpretations within context; Differences between sources issues: Errors in FE , GE revisions , Authentic corrections of FE |
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b. 77
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composition: Op. 64 No 1, Waltz in D♭ major
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The missing is most probably an oversight of the engraver of FE (→GE,EE). The sign is also absent in the previous autographs, written in the dal Segno convention. category imprint: Differences between sources issues: Errors in FE |
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b. 77
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composition: Op. 64 No 1, Waltz in D♭ major
..
The sign was added by Chopin, while preparing the Waltz for publication – it is absent in the previous autographs, out of which only AI includes this bar in a written out form (cf. also the general note on performance indications in these autographs). category imprint: Differences between sources; Corrections & alterations |
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