Op. 2, Variations in B♭ major
Op. 10, 12 Etudes
Op. 11, Concerto in E minor
Op. 21, Concerto in F minor
Op. 22, Polonaise in E♭ major
Op. 24, 4 Mazurkas
Op. 25, 12 Etudes
Op. 26, 2 Polonaises
Op. 27, 2 Nocturnes
Op. 28, 24 Preludes
Op. 30, 4 Mazurkas
Op. 35, Sonata in B♭ minor
Op. 50, 3 Mazurkas
Op. 63, 3 Mazurkas
Op. 64, 3 Waltzes
Op. 64 No 1, Waltz in D♭ major
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e |
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No e |
The present in As e
notes in the chords on the 2nd and 3rd beat of the bar do not appear in any of the later sources. It cannot be excluded that writing the remaining three components of these chords in bold type de facto meant a planned resignation from these sounds already at the stage of working on As. It is even more likely considering the fact that in the sketch one can see the change of the 4th quaver in the R.H. from g1 to e1, which most probably determined the deletion of e from the accompaniment.
Compare the passage in the sources »
category imprint: Differences between sources; Corrections & alterations
issues: Accompaniment changes, Main-line changes
notation: Pitch
