EEC
Main text
As - Autograph sketch
AI - Autograph I
AII - Autograph Caraman
AIII - Autograph Rothschild
A - Autograph
FE - French edition
FE1 - First French edition
FE2 - Second French Edition
FED - Dubois copy
FES - Stirling copy
GE - German edition
GE1op - First German edition of Op. 64
GE1Db - First German edition of Waltz No 1
GE2op - Second German edition of Op. 64
GE2Db - Second German edition of Waltz No 1
GE3 - Corrected impression of GE2op
GE3Db - Third German edition of Waltz No 1
GE4Db - Revised impression of GE3Db
EE - English edition
EEC - Earliest English edition
EEW1 - First English edition
EEW2 - Revised impression of WaW1
compare
  b. 24

Minim d1 & 2 crotchets in As

Crotchet d1 & 2 crotchets in AI

Minim d1 & crotchet in AII

Crotchet d1 & crotchet in AIII

Crotchet d & sixth in A (→FEGE,EE)

Crotchet d, sixth & chord in As, alternative version, probable interpretation

Crotchet d & 2 sixths in As, alternative version, possible interpretation

Crotchet d, sixth & crotchet d in As, another alternative version

The bar has a different form in each of the previous autographs. The differences concern the rhythmic value of the first d1 and the crotchet – or its absence – on the 3rd beat of the bar. The given variants (the first four) cannot be combined with the main text in the note to bars 21-24, i.e. the version of these bars included in A (→FEGE,EE). In turn, the last four variants given here apply to that version – the main text (conveyed by A and the editions) and alternative versions written in the first scheme of As (see the next note). On the other hand, the variants cannot be combined with the version of bars 21-24 included in the previous autographs.

Compare the passage in the sources »

category imprint: Differences between sources; Corrections & alterations

issues: Chopin's hesitations, Accompaniment changes

notation: Pitch

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Original in: Cambridge