Op. 2, Variations in B♭ major
Op. 10, 12 Etudes
Op. 11, Concerto in E minor
Op. 21, Concerto in F minor
Op. 22, Polonaise in E♭ major
Op. 24, 4 Mazurkas
Op. 25, 12 Etudes
Op. 26, 2 Polonaises
Op. 27, 2 Nocturnes
Op. 28, 24 Preludes
Op. 30, 4 Mazurkas
Op. 35, Sonata in B♭ minor
Op. 50, 3 Mazurkas
Op. 63, 3 Mazurkas
Op. 64, 3 Waltzes
Op. 64 No 1, Waltz in D♭ major
Same as the four-bar introduction, also the eight-bar link before the reprise was materialised only at the stage of presentation autographs. Its second part, after the trill, features the most original, as it seems, form in AII. If the chronology of the autographs proposed on the basis of comparison of the texts is correct, it would imply Chopin's hesitation.
Compare the passage in the sources »
category imprint: Differences between sources; Corrections & alterations
issues: Chopin's hesitations
notation: Pitch
