Issues : GE revisions
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b. 70-71
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composition: Op. 64 No 3, Waltz in A♭ major
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The continuous slur introduced in later GE, in spite of being musically justified, is, however, contrary to the notation of A and the remaining editions. category imprint: Differences between sources issues: GE revisions |
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b. 90
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composition: Op. 64 No 3, Waltz in A♭ major
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In A Chopin overlooked the lowering b to b (the sign is present in As). A similar mistake was committed in GE1Ab too. category imprint: Interpretations within context; Differences between sources issues: Errors in GE , GE revisions , Omission of current key accidentals , Authentic corrections of FE , Inaccuracies in A |
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b. 93-102
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composition: Op. 64 No 3, Waltz in A♭ major
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The hairpins, added in GE2op (→GE3op), in bars 93-94 and 101-102 is a revision aiming at unifying all four similar places (cf. bars 105-106). category imprint: Differences between sources issues: GE revisions |
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b. 97-98
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composition: Op. 64 No 3, Waltz in A♭ major
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Sustaining the chord at the transition between the bars is certainly an arbitrary revision of GE2op (→GE3op), introduced by analogy to identical bars 93-94. Both autographs prove that Chopin considered the version of bars 93-94 to be a one-off rhythmic diversification of the four-time repeated scheme. category imprint: Differences between sources issues: GE revisions |
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b. 98
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composition: Op. 64 No 3, Waltz in A♭ major
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In the manuscripts there is no lowering d2 to d2. The composer's patent oversight was corrected in FE (→GE,EE). category imprint: Interpretations within context; Differences between sources issues: EE revisions , Errors in FE , GE revisions , Omission of current key accidentals , Errors of A |
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