Issues : Errors in FE
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b. 42
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composition: Op. 64 No 3, Waltz in A♭ major
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The overlooked by Chopin lowering g1 to g1 was added only in EEW2. category imprint: Interpretations within context; Corrections & alterations issues: EE revisions , Errors in FE , Errors in EE , Errors in GE , Omission of current key accidentals , Errors of A |
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b. 72
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composition: Op. 64 No 3, Waltz in A♭ major
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The absence of pedalling in this bar is almost certainly an oversight of the engraver of FE (→GE,EE). category imprint: Differences between sources issues: Errors in FE |
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b. 76-77
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composition: Op. 64 No 3, Waltz in A♭ major
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In A the g1 minim is supposed to be repeated in bar 77 – it is not combined with a tie with the previous one; moreover, Chopin provided it with a separate tenuto-slur. The tie, present in FE (→GE,EE), linking it to g1, held from bar 72, could have been added by Chopin. However, according to us, a mistake of the engraver, who could have misinterpreted the non-standard tenuto-slur (it is absent in the editions) or simply mistaken bar 77 with one of the previous ones, is more likely. Therefore, in the main text we stick to the notation of A. The version with a tie of g1 in bar 77 can be considered a variant. category imprint: Differences between sources issues: Errors in FE , Authentic corrections of FE , Tenuto slurs |
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b. 90
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composition: Op. 64 No 3, Waltz in A♭ major
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The f2 minim in GE is a repetition of a mistake committed in a proof copy of FE, being its base text. In the finished FE (→EE) the mistake was corrected. category imprint: Differences between sources issues: Errors in FE , Errors in GE , Terzverschreibung error , Authentic corrections of FE |
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b. 98
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composition: Op. 64 No 3, Waltz in A♭ major
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In the manuscripts there is no lowering d2 to d2. The composer's patent oversight was corrected in FE (→GE,EE). category imprint: Interpretations within context; Differences between sources issues: EE revisions , Errors in FE , GE revisions , Omission of current key accidentals , Errors of A |
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