mUltimate Chopin

Op. 25 No 11, Etude in A minor

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Page: 
Source: 
p. 2, b. 13-22
p. 1, b. 1-12
p. 2, b. 13-22
p. 3, b. 23-32
p. 4, b. 33-44
p. 5, b. 45-54
p. 6, b. 55-64
p. 7, b. 65-74
p. 8, b. 75-84
p. 9, b. 85-96
Main text
Main text
GC - Gutmann's Copy
FE - French edition
FE1 - First French edition
FE2 - Corrected reprint of FE1
FED - Dubois copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE1a - Another copy of #GE1
GE2 - Second German edition
GE3 - Revised impression of GE2
EE - English edition
EE1 - First English edition
EE2 - Corrected reprint of EE1
EE3 - Revised impression of EE2
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GC - Gutmann's Copy
FE - French edition
FE1 - First French edition
FE2 - Corrected reprint of FE1
FED - Dubois copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE1a - Another copy of #GE1
GE2 - Second German edition
GE3 - Revised impression of GE2
EE - English edition
EE1 - First English edition
EE2 - Corrected reprint of EE1
EE3 - Revised impression of EE2
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  b. 16

Before the 1st semiquaver of the last group, GC and FE have no accidental, which, due to the fact that 11 previous notes in the R.H. (together with d1) were written on the bottom stave, is only an inaccuracy. GE1 added a  before this note. In turn, the absence of this sign in EE1 (→EE2) and GE2 (→GE3) is a mistake, as in these editions – same as in mUltimate Chopin – the entire part of the R.H. is written in this bar on the top stave.

GC (→GE1) and FE repeated the  before b, the 2nd semiquaver of the last group. The unnecessary in this context sign was removed in EE and GE2 (→GE3).

Compare the passage in the sources»

category imprint: Interpretations within context; Differences between sources

issues: EE revisions, Errors in EE, Errors in GE, GE revisions, Cautionary accidentals

notation: Pitch

Missing markers on sources: GC, FE1, FE2, FED, FEJ, FES, GE1, GE1a, GE2, GE3, EE1, EE2, EE3
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