Page: 
Source: 
p. 1, b. 1-12
p. 1, b. 1-12
p. 2, b. 13-22
p. 3, b. 23-32
p. 4, b. 33-44
p. 5, b. 45-54
p. 6, b. 55-64
p. 7, b. 65-74
p. 8, b. 75-84
p. 9, b. 85-96
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GC - Gutmann's Copy
FE - French edition
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FE2 - Corrected reprint of FE1
FED - Dubois copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE1a - Another copy of #GE1
GE2 - Second German edition
GE3 - Revised impression of GE2
EE - English edition
EE1 - First English edition
EE2 - Corrected reprint of EE1
EE3 - Revised impression of EE2
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GC - Gutmann's Copy
FE - French edition
FE1 - First French edition
FE2 - Corrected reprint of FE1
FED - Dubois copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE1a - Another copy of #GE1
GE2 - Second German edition
GE3 - Revised impression of GE2
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EE3 - Revised impression of EE2
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  b. 11

In the 2nd half of the bar, the only accidental in the part of the R.H. in GC, FE and EE1 is a  raising d3 to d3. The notation, although inaccurate, determines also the sound of the 6th and 10th semiquavers in the 2nd half of the bar as d2 and d1. In turn, nothing indicates raising the 3rd, 7th and 11th semiquavers, which, in this situation, should read f3f2 and f1. This version, however, is impossible in this melodic and harmonic context – the use of g as delay of the fifth of the B7 chord requires f (possibly f) as resolution. The sharps raising the discussed notes to f3f2 and f1 were added in GE and later EE (in EE2 without  before the 11th semiquaver). Cf. bar 75.

Compare the passage in the sources»

category imprint: Interpretations within context; Differences between sources; Editorial revisions

issues: EE revisions, Errors in FE, Errors in EE, GE revisions, Omission of current key accidentals, Errors of GC

notation: Pitch

Missing markers on sources: GC, FE1, FE2, FED, FEJ, FES, GE1, GE1a, GE2, GE3, EE1, EE2, EE3