mUltimate Chopin

Op. 25 No 11, Etude in A minor

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Page: 
Source: 
p. 5, b. 45-54
p. 1, b. 1-12
p. 2, b. 13-22
p. 3, b. 23-32
p. 4, b. 33-44
p. 5, b. 45-54
p. 6, b. 55-64
p. 7, b. 65-74
p. 8, b. 75-84
p. 9, b. 85-96
Main text
Main text
GC - Gutmann's Copy
FE - French edition
FE1 - First French edition
FE2 - Corrected reprint of FE1
FED - Dubois copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE1a - Another copy of #GE1
GE2 - Second German edition
GE3 - Revised impression of GE2
EE - English edition
EE1 - First English edition
EE2 - Corrected reprint of EE1
EE3 - Revised impression of EE2
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Differences
No differences
GC - Gutmann's Copy
FE - French edition
FE1 - First French edition
FE2 - Corrected reprint of FE1
FED - Dubois copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE1a - Another copy of #GE1
GE2 - Second German edition
GE3 - Revised impression of GE2
EE - English edition
EE1 - First English edition
EE2 - Corrected reprint of EE1
EE3 - Revised impression of EE2
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Important
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  b. 52

In the main text, in the 1st half of the bar we add cautionary naturals in the part of both hands. The signs – in a slightly different set (before the 2nd, 3rd and 4th semiquaver in the R.H. and before the 2nd octave in the L.H.) – were added already in GE2 (→GE3).

Compare the passage in the sources»

category imprint: Differences between sources; Editorial revisions

issues: GE revisions

notation: Pitch

Missing markers on sources: GC, FE1, FE2, FED, FEJ, FES, GE1, GE1a, GE2, GE3, EE1, EE2, EE3
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