Issues : Authentic corrections in GC
b. 1
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composition: Op. 25 No 11, Etude in A minor
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The indication was added by Chopin in GC (→GE). It was most probably similarly in the two remaining Stichvorlage manuscripts of the Etude, serving as base texts for FE and EE. category imprint: Corrections & alterations; Source & stylistic information issues: Authentic corrections in GC |
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b. 5
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composition: Op. 25 No 11, Etude in A minor
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in EE is the original version – in GC one can see the correction of to made by Chopin's hand. Similarly in bar 13. category imprint: Differences between sources; Corrections & alterations issues: Authentic corrections in GC |
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b. 5
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composition: Op. 25 No 11, Etude in A minor
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The Allegro con brio indication in GC is written with Chopin's hand. It can also be seen that Chopin deleted Allegro molto con fuoco written by the copyist. In this case the composer ensured that the final version is in all sources. category imprint: Corrections & alterations; Source & stylistic information issues: Authentic corrections in GC |
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b. 6-8
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composition: Op. 25 No 11, Etude in A minor
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The dim. indication was added by Chopin in GC (→GE), most probably also in the base text to EE. Its absence in FE proves that Chopin probably omitted the base text to this edition at the time of completing the Stichvorlage manuscripts in these bars. Similarly in bar 8. category imprint: Differences between sources; Corrections & alterations issues: EE revisions , GE revisions , Authentic corrections in GC |
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b. 13
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composition: Op. 25 No 11, Etude in A minor
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Same as in bar 5, in EE is the original version – in GC one can see correction of to performed with Chopin's hand. Here, however, Chopin forgot to introduce a new indication in the base text to FE or resigned from repeating the indication, remembering the entry in bar 5. The second possibility, however, seems to be less likely due to dim. in bars 7-8. category imprint: Differences between sources; Corrections & alterations issues: Authentic corrections in GC |