



Rhythm
b. 1
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composition: Op. 25 No 11, Etude in A minor
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The use of the category imprint: Differences between sources issues: Changes of metre , Inaccuracies in GE , Inaccuracies in FE , GE revisions , 4/4 or 2/2 |
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b. 46
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composition: Op. 25 No 11, Etude in A minor
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Based on the fact of writing the part of the L.H. under the semiquavers of the R.H., the equal quavers in GC (→GE) are a result of a mistake of the copyist who forgot to add the dot extending b category imprint: Differences between sources issues: Errors of GC , Dotted or even rhythm |
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b. 46
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composition: Op. 25 No 11, Etude in A minor
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It is hard to state how the erroneous version of GE1 occurred, as the e category imprint: Differences between sources issues: Errors in GE , GE revisions |
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b. 64
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composition: Op. 25 No 11, Etude in A minor
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In this context, Chopin notation, although inaccurate, may mean only the hold of the d1 note. Therefore, in the main text we suggest specifying the notation by extending the semiquaver to the required value of a quaver. This type of notation is also to be encountered in other Chopin's pieces, e.g., in Allegro de Concert, Op. 46, bars 162-163. category imprint: Editorial revisions |
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b. 65
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composition: Op. 25 No 11, Etude in A minor category imprint: Source & stylistic information issues: GE revisions , Errors of GC |