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Issues : GE revisions
b. 43
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composition: Op. 25 No 11, Etude in A minor
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The three-note chord in FE is the original version, which is proved by the visible deletion of the b category imprint: Differences between sources; Corrections & alterations issues: Errors resulting from corrections , GE revisions , Authentic corrections in GC |
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b. 45-46
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composition: Op. 25 No 11, Etude in A minor
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The slur of the L.H. begins in GC more or less in the middle of the 1st beat of the bar, so GE1 embraced also the 1st octave with it. This undoubtedly erroneous interpretation was corrected in GE2 (→GE3). Similarly in bar 47. category imprint: Graphic ambiguousness; Differences between sources issues: GE revisions , Inaccuracies in GC |
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b. 46
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composition: Op. 25 No 11, Etude in A minor
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It is hard to state how the erroneous version of GE1 occurred, as the e category imprint: Differences between sources issues: Errors in GE , GE revisions |
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b. 46
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composition: Op. 25 No 11, Etude in A minor
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Before the 5th, 15th, 19th and 23rd semiquaver in GC (→GE1) and FE there is no accidental, so all of them should be interpreted as a2. In the 2nd half of the bar it is certainly erroneous, which induced the reviser of GE2 (→GE3) to consider the whole bar as an example of overlooking the sign of the current key and adding a
category imprint: Interpretations within context; Differences between sources issues: EE revisions , GE revisions , Omission of current key accidentals |
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b. 47
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composition: Op. 25 No 11, Etude in A minor
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The missing B note in GE1 is almost certainly a mistake, corrected in GE2 (→GE3) together with adding – necessary in our opinion – cautionary naturals next to this crotchet. category imprint: Differences between sources issues: Errors in GE , GE revisions |