Issues : Authentic corrections in GC
b. 27
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composition: Op. 25 No 11, Etude in A minor
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The long accent, present only in GC (→GE1), could have been added there by Chopin. In GE2 (→GE3) it was replaced with a standard, short accent. category imprint: Differences between sources; Corrections & alterations issues: Long accents , GE revisions , Authentic corrections in GC |
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b. 27-28
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composition: Op. 25 No 11, Etude in A minor
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In GC (→GE) accents on the 4th beat of these bars were probably added by Chopin. EE3 repeated them, probably on the basis of GE. category imprint: Differences between sources issues: EE revisions , Authentic corrections in GC |
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b. 31
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composition: Op. 25 No 11, Etude in A minor
category imprint: Differences between sources; Corrections & alterations issues: Authentic corrections in GC |
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b. 35-36
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composition: Op. 25 No 11, Etude in A minor
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The accents on the 4th beat, present only in GC (→GE), were most probably added in the copy by Chopin. category imprint: Differences between sources issues: Long accents , Authentic corrections in GC |
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b. 43
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composition: Op. 25 No 11, Etude in A minor
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The three-note chord in FE is the original version, which is proved by the visible deletion of the b1 note in GC. At the time of introducing this correction, Chopin did not check the notation of the accidentals – the overlooked on the 2nd beat of the bar was added only in GE. category imprint: Differences between sources; Corrections & alterations issues: Errors resulting from corrections , GE revisions , Authentic corrections in GC |