Main text
Main text
GC - Gutmann's Copy
FE - French edition
FE1 - First French edition
FE2 - Corrected reprint of FE1
FED - Dubois copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE1a - Another copy of #GE1
GE2 - Second German edition
GE3 - Revised impression of GE2
EE - English edition
EE1 - First English edition
EE2 - Corrected reprint of EE1
EE3 - Revised impression of EE2
compare
  b. 62

No marks in GC (→GE1)

Wedge in FE

Wedges in EE & GE2 (→GE3)

Lack of the staccato signs in GC (→GE1) may be a result of the copyist's inattention. The wedges in GE2 (→GE3) were most probably added by analogy to bar 64. Lack of wedge in the L.H. in FE – unless it is a common oversight – does not mean that the quaver in the L.H. is to be performed differently than the one in the R.H. In this kind of homogeneous texture, Chopin did not always use to mark the articulation of the L.H. separately.

Compare the passage in the sources »

category imprint: Differences between sources

issues: GE revisions

notation: Articulation, Accents, Hairpins

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