Op. 2, Variations in B♭ major
Op. 10, 12 Etudes
Op. 11, Concerto in E minor
Op. 21, Concerto in F minor
Op. 22, Polonaise in E♭ major
Op. 24, 4 Mazurkas
Op. 25, 12 Etudes
Op. 26, 2 Polonaises
Op. 27, 2 Nocturnes
Op. 28, 24 Preludes
Op. 30, 4 Mazurkas
Op. 35, Sonata in B♭ minor
Op. 50, 3 Mazurkas
Op. 63, 3 Mazurkas
Op. 64, 3 Waltzes
Op. 25 No 11, Etude in A minor
The single E1 in EE1 (→EE2) is probably authentic, yet one cannot entirely exclude a misinterpretation of the autograph. Cf., e.g., the Waltz in A
major, Op. 42, bar 48. Introduction of an octave in EE3 is almost certainly a result of comparison with GE.
Compare the passage in the sources »
category imprint: Differences between sources
notation: Pitch
