Op. 2, Variations in B♭ major
Op. 10, 12 Etudes
Op. 11, Concerto in E minor
Op. 21, Concerto in F minor
Op. 22, Polonaise in E♭ major
Op. 24, 4 Mazurkas
Op. 25, 12 Etudes
Op. 26, 2 Polonaises
Op. 27, 2 Nocturnes
Op. 28, 24 Preludes
Op. 30, 4 Mazurkas
Op. 35, Sonata in B♭ minor
Op. 50, 3 Mazurkas
Op. 63, 3 Mazurkas
Op. 64, 3 Waltzes
Op. 25 No 11, Etude in A minor
Probably only one of these slurs is authentic, while the difference is a result of different interpretation of the notation of [A], perhaps inaccurate. In the main text we give the slur present in the base source – GC (→GE) – confirmed also in EE. Leading the bass line legato until A1 is justified as far as the performance point of view is concerned, yet the fermata suggests breaking the continuous course of music after bar 4.
Compare the passage in the sources »
category imprint: Differences between sources
notation: Slurs
