Page: 
Source: 
p. 4, b. 54-78
p. 1, b. 1-13
p. 2, b. 14-28
p. 3, b. 29-53
p. 4, b. 54-78
p. 5, b. 79-103
p. 6, b. 104-119
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Main text
GC - Gutmann's Copy
FE - French edition
FE1 - First French edition
FE2 - Corrected reprint of FE1
FED - Dubois copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE1a - Another copy of #GE1
GE2 - Second German edition
GE3 - Revised impression of GE2
EE - English edition
EE1 - First English edition
EE2 - Corrected reprint of EE1
EE3 - Revised impression of EE2
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GC - Gutmann's Copy
FE - French edition
FE1 - First French edition
FE2 - Corrected reprint of FE1
FED - Dubois copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE1a - Another copy of #GE1
GE2 - Second German edition
GE3 - Revised impression of GE2
EE - English edition
EE1 - First English edition
EE2 - Corrected reprint of EE1
EE3 - Revised impression of EE2
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  b. 70

Dotted minim f in GC & EE

Dotted minim with tie in FE

Minim in GE1

Dotted crotchet in GE2 (→GE3)

It is hard to state whether the lack of extending dot of f in GE1 is a revision – by analogy to bar 50 – or a mistake. The version of GE2 (→GE3) does not find justification in the sources.

It is also unclear how the tie sustaining f in FE is to be considered. It could be Chopin proofreading, yet also an earlier version or even a mistake, as the tie is absent both in analogous bars 50-51 and the remaining sources. Therefore, we do not include it in the main text.

See b. 50

Compare the passage in the sources»

category imprint: Differences between sources

issues: GE revisions

notation: Rhythm

Missing markers on sources: GC, FE1, FE2, FED, FEJ, FES, GE1, GE1a, GE2, GE3, EE1, EE2, EE3