Page: 
Source: 
p. 2, b. 14-28
p. 1, b. 1-13
p. 2, b. 14-28
p. 3, b. 29-53
p. 4, b. 54-78
p. 5, b. 79-103
p. 6, b. 104-119
GC - Gutmann's Copy
Main text
GC - Gutmann's Copy
FE - French edition
FE1 - First French edition
FE2 - Corrected reprint of FE1
FED - Dubois copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE1a - Another copy of #GE1
GE2 - Second German edition
GE3 - Revised impression of GE2
EE - English edition
EE1 - First English edition
EE2 - Corrected reprint of EE1
EE3 - Revised impression of EE2
Select notes: 
Category
All
Graphic ambiguousness
Interpretations within context
Differences between sources
Editorial revisions
Corrections & alterations
Source & stylistic information
Notation
All
Pitch
Rhythm
Slurs
Articulation, Accents, Hairpins
Verbal indications
Pedalling
Fingering
Ornaments
Shorthand & other
Differences
No differences
GC - Gutmann's Copy
FE - French edition
FE1 - First French edition
FE2 - Corrected reprint of FE1
FED - Dubois copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE1a - Another copy of #GE1
GE2 - Second German edition
GE3 - Revised impression of GE2
EE - English edition
EE1 - First English edition
EE2 - Corrected reprint of EE1
EE3 - Revised impression of EE2
Importance
All
Important
Main
Prezentacja
Select 
copy link PDF GC - Gutmann's Copy


  b. 28

Crotchet rest in GC (→GE), FE & EE

Minim rest suggested by the editors

It does not seem that the fact of shortening this bar present in the sources – it includes only three crotchets – had any practical or expressive meaning, as it is compensated by the fermata over the final rest. Due to this fact, in the main text we suggest a minim for this rest, compatible with the time signature. Perhaps at an earlier stage of composing the Etude Chopin introduced here certain changes and did not check the rhythmic notation diligently.
The rhythmic values incompatible with the declared time signature appear in one of the autographs of the Nocturne in B major, Op. 62 No. 1, bar 67 – the bar with the 4/4 time signature is filled with a semibreve and minim.

Compare the passage in the sources»

category imprint: Editorial revisions

issues: Rhythmic errors

notation: Rhythm

Missing markers on sources: GC, FE1, FE2, FED, FEJ, FES, GE1, GE1a, GE2, GE3, EE1, EE2, EE3