Issues : Authentic corrections of FE
b. 5
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composition: Op. 25 No 10, Etude in B minor
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Both in GC and FE one can see traces of corrections from to . EE also features the final version. Cf. the Etude in A minor, No. 11, bars 5 and 13. category imprint: Corrections & alterations; Source & stylistic information issues: Authentic corrections of FE , Authentic corrections in GC |
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b. 18
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composition: Op. 25 No 10, Etude in B minor
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In GC and EE1 (→EE2) there is no returning c in the last chord in the L.H. The sign was added in GE and EE3, and probably also in the proofreading of FE. category imprint: Interpretations within context; Differences between sources issues: EE revisions , Accidentals in different octaves , Omissions to cancel alteration , GE revisions , EE inaccuracies , Authentic corrections of FE , Inaccuracies in GC |
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b. 31-32
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composition: Op. 25 No 10, Etude in B minor
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The pedalling – here and in the entire middle section except for bar 35 – was added by Chopin most probably in the proofreading of FE. Cf. bars 34, 39-40, 42, 59-60, 62, 79-80 and 82. category imprint: Differences between sources issues: Authentic corrections of FE |
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b. 34
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composition: Op. 25 No 10, Etude in B minor
category imprint: Differences between sources; Corrections & alterations issues: Authentic corrections of FE |
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b. 39-42
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composition: Op. 25 No 10, Etude in B minor
category imprint: Differences between sources; Corrections & alterations issues: Authentic corrections of FE |