Issues : GE revisions
b. 67
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composition: Op. 25 No 10, Etude in B minor
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The cautionary before the grace note was written by Chopin in GC (→GE) and probably in the base text to EE. In GE2 (→GE3) a was added also before the top note of the octave, d3. In the main text we include both signs. category imprint: Differences between sources issues: GE revisions , Cautionary accidentals |
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b. 70
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composition: Op. 25 No 10, Etude in B minor
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It is hard to state whether the lack of extending dot of f in GE1 is a revision – by analogy to bar 50 – or a mistake. The version of GE2 (→GE3) does not find justification in the sources. It is also unclear how the tie sustaining f in FE is to be considered. It could be Chopin proofreading, yet also an earlier version or even a mistake, as the tie is absent both in analogous bars 50-51 and the remaining sources. Therefore, we do not include it in the main text. category imprint: Differences between sources issues: GE revisions |
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b. 70
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composition: Op. 25 No 10, Etude in B minor
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In the main text we give an accent on the 3rd beat of the bar, compatible with the sign present in all sources in analogous bar 50. The long accent ( hairpins ?) visible in EE may be authentic – cf. the note in the next bar. category imprint: Differences between sources issues: GE revisions |
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b. 74-77
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composition: Op. 25 No 10, Etude in B minor
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When interpreted literally, the short slurs of GC (→GE1) are almost certainly erroneous due to the breaking of the slur between bars 73-74, contrary to the construction of the phrase. The suggested interpretation is based on the original slurring of analogous bars 55-57, in which Chopin combined the one-bar slurs in bars 55-56, written initially in GC. The phrasing may be considered as alternative with respect to the main text, based on FE and compatible with the slurring of analogous bars 54-57. The continuous slur in GE2 (→GE3) is a result of an arbitrary revision, yet the same slur in EE may be authentic. category imprint: Interpretations within context; Differences between sources; Corrections & alterations issues: GE revisions , Errors of GC |
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b. 76
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composition: Op. 25 No 10, Etude in B minor
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Deletion of the tie of d-e in GE3 is a result of a revision aiming at harmonising bars 56 and 76, this time on the basis of the version of GC in bar 56. category imprint: Differences between sources issues: GE revisions |