mUltimate Chopin

Op. 25 No 10, Etude in B minor

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Issues : Authentic corrections of FE

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b. 79-80

composition: Op. 25 No 10, Etude in B minor

No slur in GC (→GE) & EE

Slur in FE
..

The slur embracing the phrase in the middle voice was added by Chopin most probably in the proofreading of FE.

category imprint: Differences between sources; Corrections & alterations

issues: Authentic corrections of FE

b. 80

composition: Op. 25 No 10, Etude in B minor

Quaver b in GC (→GE) & EE1

Crotchet d1 in FE & EE2

Crotchet & quaver in EE3
..

category imprint: Differences between sources; Corrections & alterations

issues: EE revisions , Authentic corrections of FE

b. 87-89

composition: Op. 25 No 10, Etude in B minor

No indication in GC (→GE) & EE

in FE
..

category imprint: Differences between sources; Corrections & alterations

issues: Authentic corrections of FE

b. 100-101

composition: Op. 25 No 10, Etude in B minor

in GC (→GE) & EE

No second part of indication in FE
..

The sotto voce indication was completed in GC and probably in the base text to EE. In GC one can see that Chopin initially wrote a different indication (probably e legato only), to eventually choose e sempre legato.

category imprint: Differences between sources

issues: Chopin's hesitations , Authentic corrections of FE

b. 107

composition: Op. 25 No 10, Etude in B minor

Minims d2 in GC (→GE), EE1 & EE3

d2-f2 in FE & EE2
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The version of FE is a result of proofreading of this edition – Chopin added f2 minims to the d2 minims, present in the remaining sources (except for EE2, in which the version of FE was introduced). Being the latest, we adopt it to the main text.

category imprint: Differences between sources; Corrections & alterations

issues: Accompaniment changes , Authentic corrections of FE