



Pitch
b. 27
|
composition: Op. 25 No 10, Etude in B minor
..
The version of EE is vitiated by an uncertainty concerning its authenticity – it can be a mistake or revision, which cannot be stated without the manuscript base text to this edition or other additional pieces of source information. Therefore, in the main text we give the compatible version of the remaining sources. As far as the music is concerned, the version of EE seems to be less convenient, as it omits F category imprint: Differences between sources issues: EE revisions |
|||||
b. 28
|
composition: Op. 25 No 10, Etude in B minor
..
In GC, FE and EE the only accidental before the last chord in the R.H. is the cautionary category imprint: Interpretations within context; Differences between sources issues: Omissions to cancel alteration , GE revisions , Cautionary accidentals |
|||||
b. 32
|
composition: Op. 25 No 10, Etude in B minor
..
The authenticity of the version of EE cannot be excluded, yet, according to us, a mistake is more likely here, e.g., due to the similarity of the 2nd half of the bar to bar 34. Chopin resigned from striking b in similar places only when the note was being performed by the L.H. (bars 34, 42 and analog.) or when the 1st finger of the R.H. remained on the d category imprint: Differences between sources issues: Errors in EE |
|||||
b. 35
|
composition: Op. 25 No 10, Etude in B minor category imprint: Interpretations within context; Differences between sources issues: Accidentals in different octaves , GE revisions , Omission of current key accidentals , Errors of GC |
|||||
b. 38
|
composition: Op. 25 No 10, Etude in B minor category imprint: Differences between sources; Editorial revisions issues: GE revisions |