Op. 2, Variations in B♭ major
Op. 10, 12 Etudes
Op. 11, Concerto in E minor
Op. 21, Concerto in F minor
Op. 22, Polonaise in E♭ major
Op. 24, 4 Mazurkas
Op. 25, 12 Etudes
Op. 26, 2 Polonaises
Op. 27, 2 Nocturnes
Op. 28, 24 Preludes
Op. 30, 4 Mazurkas
Op. 35, Sonata in B♭ minor
Op. 50, 3 Mazurkas
Op. 63, 3 Mazurkas
Op. 64, 3 Waltzes
Op. 25 No 10, Etude in B minor
In GC (→GE1) and EE, there are no accidentals before the crotchets, so they should read as c
and c2. In spite of the fact that the version does not raise any doubts as far as the sound is concerned, the omission of the naturals is proved by:
- the logic of harmony – this and the previous triplet create an abbreviated version of the motif used in the progression in bars 109-112. In this abbreviated version it is then repeated twice in the further part of bars 113-114. There is no reason to resign from the semi-tone movement of crotchets filling the octaves in one place only;
-
misleading chromatic orthography – change from d
to c despite preserving regular notation of the octaves in the F minor key; - signs added – probably by Chopin – in the proofreading of FE.
Compare the passage in the sources »
category imprint: Interpretations within context; Differences between sources
issues: Errors in EE, Errors in GE, GE revisions, Omission of current key accidentals, Authentic corrections of FE, Errors of GC
notation: Pitch
