Issues : EE revisions
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b. 12
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composition: Op. 25 No 9, Etude in G♭ major
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In the main text we add a cautionary before e. The sign was added already in GE1 and repeated in EE3. In GE2 (→GE3) a was added also before g. category imprint: Differences between sources; Editorial revisions issues: EE revisions , GE revisions |
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b. 37-38
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composition: Op. 25 No 9, Etude in G♭ major
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In GC, the version beginning from G1 was written by Chopin instead of the original version of FE, beginning from the sixth. This undeniable improvement was also introduced in the base text to EE1, in which, however, it was reproduced inaccurately – both B1 at the beginning of the bar and the lack of tie sustaining d are most probably mistakes. In turn, EE1 includes a dot extending the des crotchet, overlooked in GC. This inaccuracy of the notation of GC was corrected only in GE3, which, thanks to this, is the only source in which the final version is written flawlessly. category imprint: Differences between sources; Corrections & alterations issues: EE revisions , Inaccuracies in GE , Errors in EE , Terzverschreibung error , GE revisions , Accompaniment changes , Authentic corrections in GC |
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b. 43
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composition: Op. 25 No 9, Etude in G♭ major
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In GC (→GE1), FE and EE1, before the last octave in the R.H. (c3-c4) there are flats. The signs, completely unjustified in this place, must have been also in [A], which is a very meaningful example of Chopin's uncertainty concerning the issue of the prevailing set of key signatures, particularly the last one. The signs were removed in GE2 (→GE3) and EE2, while in GE3 they were reintroduced, which indicates rather a mechanical work of the reviser of EE3, copying the versions of GE1 without having analysed their accuracy. category imprint: Differences between sources issues: EE revisions , GE revisions , Cautionary accidentals , Last key signature sign |
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